Pre-Raphaelitism was the first avant-garde movement on British painting. Around 1848 a group of artist openly challenged the prevailing pictorial convention in order to create a visual language for fresh and unusual ways of representing the material world.
It was founded by three students of the Royal Academy: John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt— ages nineteen, twenty, and twenty-one, respectively. The group's intention was to reform art by rejecting what they considered to be the mechanistic approach adopted by the Renaissance and Mannerist artists who followed Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on academic teaching of art.
Pre-Raphaelite paintings often addressed subjects of moral seriousness, whether pertaining to history, literature, religion, or modern society.
In 1850, Hunt, Millais, and Rossetti found the journal The Germ, in which they divulge the theories of the Pre-Raphaelite movement.
Pre-Raphaelite
The term "history of painting" refers to artworks depicting scenes drawn from classical sources like mythology, the Bible, and legends. This history provides valuable insights into how people and societies have interacted with the art of painting. Studying painting history is essential, as it reveals the evolution of artistic expression and cultural values. The past shapes the present, which, in turn, influences the future.
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