Pre-Raphaelitism was the first avant-garde movement on British painting. Around 1848 a group of artist openly challenged the prevailing pictorial convention in order to create a visual language for fresh and unusual ways of representing the material world.
It was founded by three students of the Royal Academy: John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt— ages nineteen, twenty, and twenty-one, respectively. The group's intention was to reform art by rejecting what they considered to be the mechanistic approach adopted by the Renaissance and Mannerist artists who followed Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on academic teaching of art.
Pre-Raphaelite paintings often addressed subjects of moral seriousness, whether pertaining to history, literature, religion, or modern society.
In 1850, Hunt, Millais, and Rossetti found the journal The Germ, in which they divulge the theories of the Pre-Raphaelite movement.
Pre-Raphaelite
History of painting is a term for artwork presenting scenes from classical sources such as mythology, bible, and legends. History offers a storehouse of information about how people and society behave related to the art of painting. History of painting is inescapable as a subject of serious study follows closely on this. The past causes the present, and so the future.
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