The origins of painting remain shrouded in mystery, with the earliest significant records emerging from ancient Egypt. However, long before Egyptian civilization, early humans likely used color for ornamentation and decoration. Evidence of this primitive artistry can be found in the scratched outlines of humans and animals on bones and slates. These rudimentary artworks, dating back to the cave-dwellers, are visible on pottery, weapons, and stone implements. Although these artifacts highlight the dawn of human intelligence, they are considered art only from an archaeological perspective, indicating a burgeoning inclination toward representation and decoration rather than accomplished artistry.
These early attempts at painting reveal more about early human desire than skill. They demonstrate an embryonic effort to embellish or depict, despite a rudimentary understanding of how to achieve these goals. The primary purpose of primitive painting was undoubtedly decorative, employing colored forms purely for their aesthetic value. This is evident in the pottery designs and cross-hatchings on stone knives and spearheads, where the intent was to use color and form for visual appeal.
A secondary, perhaps subsequent, aim of early painting was to imitate the shapes and colors of humans, animals, and other subjects. This was likely an effort to convey information about the proportions and characteristics of these entities. For instance, an outline of a cave-bear or a mammoth may have served as a pictorial record, narrating the feats of the cave-dweller to his peers. This primitive form of communication, akin to picture-written history, suggests that early humans used art to record and share their experiences.
This method of conveying ideas through imagery shares fundamental similarities with the later development of hieroglyphic writing and historical painting in Egypt. The evolution from primitive depictions to sophisticated hieroglyphs underscores the progression of human expression. Essentially, the difference between the early artworks of cave-dwellers and the advanced art of Egyptians lies in the degree of development.
In essence, the art of Primitive Man provides a glimpse into the two major branches of painting that exist today: decorative art and representational art. This duality highlights the enduring human desire to beautify our surroundings and to communicate through visual means, a testament to the unbroken thread of creativity that runs through human history.
From Cave Walls to Hieroglyphs: The Evolution of Early Painting
History of painting is a term for artwork presenting scenes from classical sources such as mythology, bible, and legends. History offers a storehouse of information about how people and society behave related to the art of painting. History of painting is inescapable as a subject of serious study follows closely on this. The past causes the present, and so the future.
The Most Popular Posts
-
Vincent van Gogh painted the picture in April-May 1885, at Nuenen, where van Gogh’s parents had lived since 1883. Vincent lived there for t...
-
The earliest known paintings, dating back to around 25,000 BC, depict animals hunted for food by Stone Age artists in the caves of Lascaux, ...
-
Friedrich Wilhelm Kalb (1889-1977), was born and raised in Münich. Both of his father and grandfather were bankers. He completed his studie...
-
‘The Raft of Medusa’ portrays victims of a shipwreck adrift on the sea without food and water at the moment they signal to a distant ship. T...
-
Art in the Old Stone Age From the moment in 1879 that cave paintings were discovered at Altamira , scholars wondered why the hunters of the ...
Other Interesting Articles
-
-
-
Milk, a staple beverage in many diets, appears white or yellowish due to the interaction of light with its components. The color of milk results from the s...
-