These early attempts at painting reveal more about early human desire than skill. They demonstrate an embryonic effort to embellish or depict, despite a rudimentary understanding of how to achieve these goals. The primary purpose of primitive painting was undoubtedly decorative, employing colored forms purely for their aesthetic value. This is evident in the pottery designs and cross-hatchings on stone knives and spearheads, where the intent was to use color and form for visual appeal.
A secondary, perhaps subsequent, aim of early painting was to imitate the shapes and colors of humans, animals, and other subjects. This was likely an effort to convey information about the proportions and characteristics of these entities. For instance, an outline of a cave-bear or a mammoth may have served as a pictorial record, narrating the feats of the cave-dweller to his peers. This primitive form of communication, akin to picture-written history, suggests that early humans used art to record and share their experiences.
This method of conveying ideas through imagery shares fundamental similarities with the later development of hieroglyphic writing and historical painting in Egypt. The evolution from primitive depictions to sophisticated hieroglyphs underscores the progression of human expression. Essentially, the difference between the early artworks of cave-dwellers and the advanced art of Egyptians lies in the degree of development.
In essence, the art of Primitive Man provides a glimpse into the two major branches of painting that exist today: decorative art and representational art. This duality highlights the enduring human desire to beautify our surroundings and to communicate through visual means, a testament to the unbroken thread of creativity that runs through human history.
From Cave Walls to Hieroglyphs: The Evolution of Early Painting
